Popular culture and the state in east and southeast asia ben ari eyal otmazgin nissim. Popular culture and the state in East and Southeast Asia (eBook, 2012) [efhighschoolyear.ie] 2019-03-03

Popular culture and the state in east and southeast asia ben ari eyal otmazgin nissim Rating: 9,5/10 1416 reviews

Popular culture and the state in East and Southeast Asia / edited by Nissim Otmazgin and Eyal Ben

popular culture and the state in east and southeast asia ben ari eyal otmazgin nissim

It is the first major attempt to look at these issues comparatively and to provide an important corrective to the limitations of existing scholarship on popular culture in Asia that have usually neglected its political aspects. This book will be of interest to students and scholars of Asian culture, society and politics, the sociology of culture, political science and media studies. . It is the first major attempt to look at these issues comparatively and to provide an important corrective to the limitations of existing scholarship on popular culture in Asia that have usually neglected its political aspects. Cultural Industries and the State in East and Southeast Asia, Nissim Otmazgin and Eyal Ben Ari Part I: Popular Culture and Soft Power 2. Table of Contents Introduction 1.

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Popular Culture and the State in East and Southeast Asia: 1st Edition (Paperback)

popular culture and the state in east and southeast asia ben ari eyal otmazgin nissim

The E-mail message field is required. Manipulating Historical Tensions in East Asian Popular Culture, Kwai Cheung Lo 11. This volume examines the relations between popular culture production and export and the state in East and Southeast Asia including the urban centres and middle-classes of Taiwan, South Korea, Japan, Singapore, Indonesia, Malaysia, China, Thailand, and the Philippines. This volume examines the relations between popular culture production and export and the state in East and Southeast Asia including the urban centres and middle-classes of Taiwan, South Korea, Japan, Singapore, Indonesia, Malaysia, China, Thailand, and the Philippines. This book will be of interest to students and scholars of Asian culture, society and politics, the sociology of culture, political science and media studies.

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Eyal Ben

popular culture and the state in east and southeast asia ben ari eyal otmazgin nissim

It addresses the shift in official thinking toward the role of popular culture in the political life of states brought about by the massive circulation of cultural commodities and the possibilities for attaining soft power. Silence and Protest in Singapore's Censorship Debates, Cherian George Series Title: , 35. It addresses the shift in official thinking toward the role of popular culture in the political life of states brought about by the massive circulation of cultural commodities and the possibilities for attaining soft power. The E-mail message field is required. In contrast to earlier studies, this volume pays particular attention to the role of states and cross-state cultural interactions in these processes. Here the contributors explicitly draw on other disciplinary perspectives — political science and international relations, political economy, law, and policy studies — to explore the complex interrelationships between the state, politics and economics, and popular culture. Post-Socialism and Cultural Policy: The Depoliticization of Culture in the Late 1970s and Early 1980s China, Pang Laikwan 9.

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Popular Culture and the State in East and Southeast Asia: 1st Edition (Paperback)

popular culture and the state in east and southeast asia ben ari eyal otmazgin nissim

Popular Culture and the State in East and Southeast Asia. Manipulating Historical Tensions in East Asian Popular Culture, Kwai Cheung Lo 11. Manga in Four European Countries, Jean Marie Bouissou 4. Drawing on empirically-based accounts of co-production and collaboration in East and Southeast Asia's popular culture, it adopts a regional framework to analyze the complex interrelationships among cultural industries. Does Popular Culture Matter to International Relations Scholars? This focus on a regional economy of transcultural production provides an important corrective to the limitations of previous studies that consider cultural products as text and use them to investigate the 'meaning' of popular culture. Popular culture and the state in East and Southeast Asia. Copyright Law as a New Industrial Policy? Here we have tried to address what we see as the very fruitful but still limited approaches to popular culture that are rooted in cultural studies, cultural anthropology or media and film studies to introduce articles based in economics, business studies, organizational research or network analysis.

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Popular culture and the state in East and Southeast Asia (Book, 2011) [efhighschoolyear.ie]

popular culture and the state in east and southeast asia ben ari eyal otmazgin nissim

Does popular culture matter to International Relations scholars Possible links and methodological challenges -- 3. From a wider theoretical perspective, this volume develops a regional framework to examine transnational collaborations in the making of popular culture in East and Southeast Asia and goes beyond the accepted paradigm centered on the dynamics of global-local relations. Contents: List of figures, plates and tables -- Contributors -- Introduction -- 1. The volume examines the relations between cultural industries and the state in East and Southeast Asia comprising the urban centers and middle-classes of Taiwan, South Korea, Japan, Singapore, Indonesia, Malaysia, China, Thailand, and the Philippines. Possible Links and Methodological Challenges, Galia Press-Barnathan 3.

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Popular Culture and the State in East and Southeast Asia : Nissim Otmazgin : 9780415679695

popular culture and the state in east and southeast asia ben ari eyal otmazgin nissim

The processes of policy making. I have collaborated with a colleague who is a political economist on hitherto little studied aspects of popular culture in Asia. Notes Includes bibliographical references and index. Manipulating historical tensions in East Asian popular culture. As part of this move, the essays in this volume suggest a widening of disciplinary perspectives. The book uses case studies to explore the production and exploitation of cultural imaginaries within the context of intensive regional circulation of cultural commodities and images.

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Popular culture and the state in East and Southeast Asia (eBook, 2012) [efhighschoolyear.ie]

popular culture and the state in east and southeast asia ben ari eyal otmazgin nissim

Cultural Industries and the State in East and Southeast Asia, Nissim Otmazgin and Eyal Ben Ari Part I: Popular Culture and Soft Power 2. This volume examines the relations between popular culture production and export and the state in East and Southeast Asia including the urban centres and middle-classes of Taiwan, South Korea, Japan, Singapore, Indonesia, Malaysia, China, Thailand, and the Philippines. In contrast to earlier studies, this volume pays particular attention to the role of states and cross-state cultural interactions in these processes. Although popular culture production and dissemination has become regionalized with various confluences routinely crossing national borders as a part of a transnational-urban culture of consumption, cultural policy remains predominantly national and there are very few policy initiatives on a country-to-country or region-wide basis. By studying the state, political power and industrial policy as they shape and are shaped by popular culture, this volume opens up multiple issues.

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Popular culture and the state in East and Southeast Asia (eBook, 2012) [efhighschoolyear.ie]

popular culture and the state in east and southeast asia ben ari eyal otmazgin nissim

Through discussions of Japanese, Chinese, Korean, Philippine and Indonesian culture industries, the authors in the book describe a major shift in Asia's popular culture markets toward arrangements that transcend autonomous national economies by organizing and locating production, distribution, and consumption of cultural goods on a regional scale. Truman Research Institute for the Advancement of Peace at The Hebrew University of Jerusalem. It is the first major attempt to look at these issues comparatively and to provide an important corrective to the limitations of existing scholarship on popular culture in Asia that have usually neglected its political aspects. The first volume takes an explicit political perspective that examines the variegated relations between states or state actors and manifestations of popular culture. Singapore: National University of Singapore Press and Kyoto: Kyoto University Press, 2011.

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Popular Culture Co

popular culture and the state in east and southeast asia ben ari eyal otmazgin nissim

Eyal Ben-Ari is a Professor of Anthropology at the Hebrew University of Jerusalem, Israel. Hitherto, the preponderance of relevant studies has been in cultural and media fields, anthropology or history. Along these lines, taken together the chapters in this book explore the production and exploitation of cultural imaginaries in the context of intensive regional circulation of cultural commodities and images and present a potential for a regional economy of transcultural production Publications Nissim Otmazgin and Eyal Ben-Ari eds Popular Culture and the State in East Asia. Possible Links and Methodological Challenges, Galia Press-Barnathan 3. Hitherto, the preponderance of relevant studies has been in cultural and media fields, anthropology or history.

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Popular Culture in East Asia: Politics and Organization

popular culture and the state in east and southeast asia ben ari eyal otmazgin nissim

In contrast to earlier studies, this volume pays particular attention to the role of states and cross-state cultural interactions in these processes. In contrast to earlier studies, this volume pays particular attention to the role of states and cross-state cultural interactions in these processes. It addresses the shift in official thinking toward the role of popular culture in the political life of states brought about by the massive circulation of cultural commodities and the possibilities for attaining soft power. Cultural Industries and the State in East and Southeast Asia, Nissim Otmazgin and Eyal Ben Ari Part I: Popular Culture and Soft Power 2. Post-Socialism and Cultural Policy: The Depoliticization of Culture in the Late 1970s and Early 1980s China, Pang Laikwan 9. Our volumes speak directly to these issues comparatively and provides an important corrective to the limitations of existing scholarship on popular culture in East Asia.

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